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What is the Best Font for the Web?
 1221 Views  /  27 Votes  /  1 Comments  / 
 Posted by korey on 12.2.08 @ 07:14 pm

There are hundreds of fonts out there to use and experiment with for use on your website. Which one is the best for your users?

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Verdana     Posted by korey
Verdana is a humanist sans-serif typeface designed by Matthew Carter for Microsoft Corporation, with hand-hinting done by Tom Rickner, then at Monotype. Demand for such a typeface was recognized by Virginia Howlett of Microsoft's typography group. The name "Verdana" is based on a mix of verdant (something green, as in the Seattle area and the Evergreen state, Washington), and Ana (the name of Howlett's eldest daughter).
 
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Arial     Posted by korey
Arial, sometimes marketed as Arial MT, is a sans-serif typeface and computer font packaged with Microsoft Windows, other Microsoft software applications, Apple Mac OS X, and many PostScript computer printers. The typeface was designed in 1982 by Robin Nicholas and Patricia Saunders for Monotype Typography, with Type Solutions Inc. holding copyright (the Type Solutions Inc. copyright lasted until version 5.00). Arial is also a typeface family comprising standard Arial (Arial Std) and variants, including Arial Black, Bold, Extra Bold, Condensed, Italic, Light, Medium, Monospaced, Narrow, and Rounded.
 
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Trebuchet MS     Posted by korey
Trebuchet MS is a humanist sans-serif typeface designed by Vincent Connare for the Microsoft Corporation in 1996. It is named after the trebuchet, a medieval siege engine. The name is a response from the puzzle question Vincent Connare heard from within Microsoft headquarters. The question was "can you make a trebuchet that could launch a person from main campus to the new consumer campus about a mile away? Mathematically, is it possible and how?"
 
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Times New Roman     Posted by korey
Times New Roman is a serif typeface commissioned by the British newspaper, The Times, in 1931, designed by Stanley Morison and Victor Lardent at the English branch of Monotype. It was commissioned after Morison had written an article criticizing The Times for being badly printed and typographically behind the times. The font was supervised by Stanley Morison and drawn by Victor Lardent, an artist from the advertising department of The Times. Morison used an older font named Plantin as the basis for his design, but made revisions for legibility and economy of space. As the old type used by the newspaper had been called Times Old Roman, Morison's revision became Times New Roman and made its debut in the 3 October 1932 issue of The Times newspaper. After one year, the design was released for commercial sale. The Times stayed with Times New Roman for 40 years, but new production techniques and the format change from broadsheet to tabloid in 2004 have caused the newspaper to switch font five times since 1972. However, all the new fonts have been variants of the original New Roman font. Although no longer used by The Times, Times New Roman is still widely used for book typography. It is one of the most successful and ubiquitous typefaces in history.
futrsenator
on 12/3/08
times is so over played.
 
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Courier New     Posted by korey
Courier is a monospaced slab serif typeface designed to resemble the output from a strike-on typewriter. The typeface was designed by Howard "Bud" Kettler in 1955. The design of the original Courier typeface was commissioned in the 1950s by IBM for use in typewriters, but they did not secure legal exclusivity to the typeface and it soon became a standard font used throughout the typewriter industry. As a monospaced font, it has recently found renewed use in the electronic world in situations where columns of characters must be consistently aligned. It has also become an industry standard for all screenplays to be written in 12 point Courier or a close variant.
 
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helvetica     Added by futrsenator
Better not forget this one, or the designers will lynch you. Helvetica was developed in 1957 by Max Miedinger (MEE-din-gurr) with Eduard Hoffmann at the Haas’sche Schriftgiesserei (Haas type foundry) of Münchenstein, Switzerland. Haas set out to design a new sans-serif typeface that could compete with Akzidenz-Grotesk in the Swiss market. Originally called Neue Haas Grotesk, it was created based on Schelter-Grotesk. The aim of the new design was to create a neutral typeface that had great clarity, had no intrinsic meaning in its form, and could be used on a wide variety of signage.
 
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Tahoma
Tahoma     Posted by korey
Tahoma is a humanist sans-serif typeface designed by Matthew Carter for the Microsoft Corporation in 1994 with initial distribution along with Verdana for Windows 95.
 
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Lucida Sans Unicode
Lucida Sans Unicode     Posted by korey
In digital typography, Bigelow & Holmes Inc.'s Lucida Sans Unicode OpenType font is designed to support the most commonly used characters defined in version 2.0 of the Unicode standard. It is a Sans variant of the Lucida font family and supports Latin, Greek, Cyrillic and Hebrew scripts, as well as all the letters used in the International Phonetic Alphabet.
 
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Georgia     Posted by korey
Georgia is a transitional serif typeface designed in 1993 by Matthew Carter and hinted by Tom Rickner for the Microsoft Corporation, as the serif companion to the first Microsoft sans serif screen font, Verdana. The initial version of the font was released on November 1, 1996 as part of the Core fonts for the Web collection. Later, it was bundled with Internet Explorer 4.0 supplemental font pack.
 
 
 
 
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